Editions
The work changes form.
A drawing becomes an object.
The object is worn, carried, or used.
Sometimes it finds its way back into the work again.
I’m interested in that recursion—how an image can repeat, change form, and become part of what comes next.
Visible Invisibility — Edition Tote No. 01
$15.00
Made from lightweight yet durable fabric, this versatile tote bag is perfect for everyday use—whether you're heading to the shops, carrying books.
Visible Invisibility — Edition Tote No. 01
Meggan Rees, 2026
An artist edition extending an original work from the Visible Invisibility series from paper into an object made to be carried and lived with.
The original image explores visibility, concealment, and the strange ways we can simultaneously reveal and obscure ourselves. Here, the figure leaves the page and becomes part of an everyday object.
Printed on a light grey 100% cotton tote.
Details
100% cotton
15" × 16.5"
Long handles
10L capacity
Made to order
Visible Invisibility — Edition Tote No. 01
Meggan Rees, 2026
An artist edition extending an original work from the Visible Invisibility series from paper into an object made to be carried and lived with.
The original image explores visibility, concealment, and the strange ways we can simultaneously reveal and obscure ourselves. Here, the figure leaves the page and becomes part of an everyday object.
Printed on a light grey 100% cotton tote.
Details
100% cotton
15" × 16.5"
Long handles
10L capacity
Made to order
VISIBLE INVISIBILITY — Edition Tote No. 2
$15.00
VISIBLE INVISIBILITY — Edition Tote No. 2
Stasera Faccio La Brava -- Tonight I’ll be good.
An original drawing made wearable.
Stasera Faccio La Brava moves from paper to garment, carrying the quiet marks, faint figure, and imperfect evidence of the original drawing with it. The image is intentionally subtle. It asks you to come closer—to notice what is there rather than announcing itself from across the room.
Part of an ongoing studio practice exploring presence, visibility, identity, and what we carry.
DETAILS
• 100% cotton
• Fabric weight: 140 g/m²
• One size: 15″ × 16.5″ (38 cm × 42 cm)
• Medium-length carrying handles (67 cm)
• Capacity: 10 litres
• One large main compartment
• Blank product sourced from Pakistan
Stasera Faccio La Brava -- Tonight I’ll be good.
An original drawing made wearable.
Stasera Faccio La Brava moves from paper to garment, carrying the quiet marks, faint figure, and imperfect evidence of the original drawing with it. The image is intentionally subtle. It asks you to come closer—to notice what is there rather than announcing itself from across the room.
Part of an ongoing studio practice exploring presence, visibility, identity, and what we carry.
DETAILS
• 100% cotton
• Fabric weight: 140 g/m²
• One size: 15″ × 16.5″ (38 cm × 42 cm)
• Medium-length carrying handles (67 cm)
• Capacity: 10 litres
• One large main compartment
• Blank product sourced from Pakistan
VISIBLE INVISIBILITY — Sweatshirt No. 01.
$35.00
VISIBLE INVISIBILITY — Sweatshirt No. 01
An artwork translated into another form.
This hoodie carries an image from Visible Invisibility, an ongoing body of work exploring presence, absence, attention, and what becomes visible depending on where—and how—we look.
Part of EDITIONS by Meggan Rees.
Details
• Gildan 18500 unisex heavy blend hoodie
• 50% pre-shrunk cotton, 50% polyester
• Fabric weight: 8.0 oz/yd² (271.25 g/m²)
• Air-jet spun yarn with a soft feel and reduced pilling
An artwork translated into another form.
This hoodie carries an image from Visible Invisibility, an ongoing body of work exploring presence, absence, attention, and what becomes visible depending on where—and how—we look.
Part of EDITIONS by Meggan Rees.
Details
• Gildan 18500 unisex heavy blend hoodie
• 50% pre-shrunk cotton, 50% polyester
• Fabric weight: 8.0 oz/yd² (271.25 g/m²)
• Air-jet spun yarn with a soft feel and reduced pilling
VISIBLE INVISIBILITY — Crop Hoodie No. 02
$45.00
EDITION 02 — STASERA FACCIO LA BRAVA
Tonight I’ll be good.
An original drawing made wearable.
Stasera Faccio La Brava moves from paper to garment, carrying the quiet marks, faint figure, and imperfect evidence of the original drawing with it. The image is intentionally subtle. It asks you to come closer—to notice what is there rather than announcing itself from across the room.
Part of an ongoing studio practice exploring presence, visibility, identity, and what we carry.
Tonight I’ll be good.
An original drawing made wearable.
Stasera Faccio La Brava moves from paper to garment, carrying the quiet marks, faint figure, and imperfect evidence of the original drawing with it. The image is intentionally subtle. It asks you to come closer—to notice what is there rather than announcing itself from across the room.
Part of an ongoing studio practice exploring presence, visibility, identity, and what we carry.
VISIBLE INVISIBILITY — Hoodie No. 01
$40.00
VISIBLE INVISIBILITY — Hoodie No. 01
An artwork translated into another form.
This hoodie carries an image from Visible Invisibility, an ongoing body of work exploring presence, absence, attention, and what becomes visible depending on where—and how—we look.
Part of EDITIONS by Meggan Rees.
Details
• Gildan 18500 unisex heavy blend hoodie
• 50% pre-shrunk cotton, 50% polyester
• Fabric weight: 8.0 oz/yd² (271.25 g/m²)
• Air-jet spun yarn with a soft feel and reduced pilling
• [remaining Printful specs]
An artwork translated into another form.
This hoodie carries an image from Visible Invisibility, an ongoing body of work exploring presence, absence, attention, and what becomes visible depending on where—and how—we look.
Part of EDITIONS by Meggan Rees.
Details
• Gildan 18500 unisex heavy blend hoodie
• 50% pre-shrunk cotton, 50% polyester
• Fabric weight: 8.0 oz/yd² (271.25 g/m²)
• Air-jet spun yarn with a soft feel and reduced pilling
• [remaining Printful specs]
VISIBLE INVISIBILITY — T shirt No. 02
$30.00
EDITION 02 — STASERA FACCIO LA BRAVA
Tonight I’ll be good.
An original drawing made wearable.
Stasera Faccio La Brava moves from paper to garment, carrying the quiet marks, faint figure, and imperfect evidence of the original drawing with it. The image is intentionally subtle. It asks you to come closer—to notice what is there rather than announcing itself from across the room.
Part of an ongoing studio practice exploring presence, visibility, identity, and what we carry.
DETAILS
Original artwork by Meggan Rees
• 100% organic combed ring-spun cotton
• Fabric weight: 4.6 oz./yd.² (155 g/m²)
• Regular fit
• Set-in sleeves
• 1 × 1 rib at collar
• Double-needle topstitch on the sleeves and bottom hems
• Self-fabric neck tape on the inside of the back
• The fabric of this product holds certifications for its organic cotton content under GOTS (Global Organic Textile Standard) and OCS (Organic Content Standard)
• Blank product sourced from Bangladesh
The sizes correspond to a bigger size in the European market, customers from that region should order a size down.
Tonight I’ll be good.
An original drawing made wearable.
Stasera Faccio La Brava moves from paper to garment, carrying the quiet marks, faint figure, and imperfect evidence of the original drawing with it. The image is intentionally subtle. It asks you to come closer—to notice what is there rather than announcing itself from across the room.
Part of an ongoing studio practice exploring presence, visibility, identity, and what we carry.
DETAILS
Original artwork by Meggan Rees
• 100% organic combed ring-spun cotton
• Fabric weight: 4.6 oz./yd.² (155 g/m²)
• Regular fit
• Set-in sleeves
• 1 × 1 rib at collar
• Double-needle topstitch on the sleeves and bottom hems
• Self-fabric neck tape on the inside of the back
• The fabric of this product holds certifications for its organic cotton content under GOTS (Global Organic Textile Standard) and OCS (Organic Content Standard)
• Blank product sourced from Bangladesh
The sizes correspond to a bigger size in the European market, customers from that region should order a size down.